Following on from the enormous success of the Exbury Egg last year, timber and panel products distributor, James Latham has agreed to support another initiative by SPUD (Space, Placemaking & Urban Design) which offers opportunities for artists to engage with specific areas of our environment and the landscape.
The entire project, which has been funded by the Arts Council England has seen a team of five graduate architects from London practice, Feilden, Clegg, Bradley utilise a number of timber materials supplied by James Latham to create the Observatory, which is a sculpture, a workspace, a shelter and a look-out, Rope weavingfor 12 artist residencies over two years and will reside in four UK locations.
The materials included Western Red Cedar and Larch which was charred and used for the external cladding as well as a consignment of Accoya, the long-life, high performance wood, Medite Tricoya Extreme and Smartply, which the designers used for the external edging as well as the front and back frames and all the doors and windows. Interestingly the team have used the latest wood preservation technology in the form of Wood Acetylation using Accoya and Medite Tricoya Extreme and Smartply and in contrast they have also used the ancient Japanese technique called Shou Sugi Ban (translates to burnt cedar board) that claims to be both rot resistant and fire resistant for the external cladding. The Architects involved will be charred%20timberusing this experience as a part of their Technical Thesis for their R & I application.
Beginning at the end of January, the first location for the Observatory will be The South Downs National Park in Winchester where it will stay for six months before moving to Lymington Salt Marshes in New Forest National Park in July. The tag line for the programme is ‘Look Out, Look In’, as the space will allow artists to use it as a location to look out from and observe the surroundings, whist at the same time the public will have direct access to look in and meet the artists, see their work, watch process and explore and enjoy the Observatory structure.
Commenting on Latham’s involvement with the initiative, Paul Latham, Sales & Product Development Director said, “After the incredible success of the Exbury Egg last year, for which we supplied Western Red Cedar, we are delighted once again to be involved in this kind of project. As well as providing the perfect platform to demonstrate an innovative and fascinating use of timber, The Observatory project has a strong educational element, engaging with universities, colleges and schools, plus it also has a strong environmental message too.”
Observatory%20photoSPUD’s Principal Associate, Mark Drury said, “When we were looking for a materials supplier for this initiative, James Latham were the natural choice. They have an amazing portfolio of products and invited our team of architects along to their showroom to discuss the options and select their preferred materials . I would also like to thank S&S Construction and Unit Spark for their invaluable support, advice and time which has been fantastic.”
“By its very nature, the Observatory will be theatrical, eye-catching, unusual and unique. The whole programme will focus on developing new audiences - those that would not normally visit a gallery and perhaps have little, if any, opportunity to directly interact with an artist. It will take both art and artists out into the community.”
The two locations for 2016 will be the Tamar Estuary and the South Dorset Ridgeway. Artists will develop a body of work connected to each location and context and the work produced will then form part of an exhibition in each location.
